2026-10-21 · marked · sat 36 of 45 min · handed in early
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Source A — from a short story, 21st century. Sam, twelve, is walking home across the moor.
(lines 1–7)
Sam had walked the moor path a hundred times. In summer it was a dusty ribbon between the heather, and you could see the roof of the farm from the top of the first rise. Today the sky was the colour of dishwater, and the wind had dropped to nothing. He had his father's old coat on, the one with the torn pocket, and a bag of shopping that knocked against his knee at every step. He was not worried. It was four o'clock. He would be home before the lamps went on.
(lines 8–16)
The fog came up from the valley without a sound. One minute the far wall was there, a grey line stitched across the hill; the next it had been rubbed out. The fog did not drift so much as pour, filling the hollows first, then climbing. It swallowed the gorse. It swallowed the path ten paces ahead of him, then five, and the world shrank to a circle of wet grass and the sound of his own breathing. His coat grew heavy. Drops gathered on his eyelashes. Somewhere to his left a sheep coughed, close, and he could not see it.
(lines 17–22)
He stopped. The path had been under his feet a moment ago; now there was only heather, springy and wrong, and he did not know which way he had turned. He put the bag down. Then, far off and low, where he thought the farm should be, a single light came on — and it was moving away from him.
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0 1 Read again the first part of the source, from lines 1 to 7.
Answer all parts of this question. Choose one answer for each part.
0 1 . 1 What is the sky like today?
0 1 . 2 Whose coat is Sam wearing?
0 1 . 3 What time is it when the story begins?
[3 marks]
Source A — from a short story, 21st century. Sam, twelve, is walking home across the moor.
(lines 1–7)
Sam had walked the moor path a hundred times. In summer it was a dusty ribbon between the heather, and you could see the roof of the farm from the top of the first rise. Today the sky was the colour of dishwater, and the wind had dropped to nothing. He had his father's old coat on, the one with the torn pocket, and a bag of shopping that knocked against his knee at every step. He was not worried. It was four o'clock. He would be home before the lamps went on.
(lines 8–16)
The fog came up from the valley without a sound. One minute the far wall was there, a grey line stitched across the hill; the next it had been rubbed out. The fog did not drift so much as pour, filling the hollows first, then climbing. It swallowed the gorse. It swallowed the path ten paces ahead of him, then five, and the world shrank to a circle of wet grass and the sound of his own breathing. His coat grew heavy. Drops gathered on his eyelashes. Somewhere to his left a sheep coughed, close, and he could not see it.
(lines 17–22)
He stopped. The path had been under his feet a moment ago; now there was only heather, springy and wrong, and he did not know which way he had turned. He put the bag down. Then, far off and low, where he thought the farm should be, a single light came on — and it was moving away from him.
---
0 2 Look at the whole source.
At one point the writer moves the reader's attention away from Sam and what he is carrying, and on to the fog.
Explain the effect of this change. In your answer:
[4 marks]
Source A — from a short story, 21st century. Sam, twelve, is walking home across the moor.
(lines 1–7)
Sam had walked the moor path a hundred times. In summer it was a dusty ribbon between the heather, and you could see the roof of the farm from the top of the first rise. Today the sky was the colour of dishwater, and the wind had dropped to nothing. He had his father's old coat on, the one with the torn pocket, and a bag of shopping that knocked against his knee at every step. He was not worried. It was four o'clock. He would be home before the lamps went on.
(lines 8–16)
The fog came up from the valley without a sound. One minute the far wall was there, a grey line stitched across the hill; the next it had been rubbed out. The fog did not drift so much as pour, filling the hollows first, then climbing. It swallowed the gorse. It swallowed the path ten paces ahead of him, then five, and the world shrank to a circle of wet grass and the sound of his own breathing. His coat grew heavy. Drops gathered on his eyelashes. Somewhere to his left a sheep coughed, close, and he could not see it.
(lines 17–22)
He stopped. The path had been under his feet a moment ago; now there was only heather, springy and wrong, and he did not know which way he had turned. He put the bag down. Then, far off and low, where he thought the farm should be, a single light came on — and it was moving away from him.
---
0 3 Look in detail at lines 8 to 16 of the source.
How does the writer use language here to describe the fog?
Choose three words or phrases from these lines. For each one, write what it suggests about the fog and what effect it has on the reader.
Spend about 8 minutes on this question.
[6 marks]
Percy Bysshe Shelley, Ozymandias (Power and Conflict anthology).
The traveller describes the broken face of the statue:
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Explain what these lines suggest about Ozymandias.
[2 marks]
William Blake, London (Power and Conflict anthology). Here are the first three stanzas.
I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.
How the Chimney-sweeper's cry
Every black'ning Church appalls;
And the hapless Soldier's sigh
Runs in blood down Palace walls.
---
In the first two stanzas Blake writes about everybody: 'every face', 'every cry', 'every voice'.
In the third stanza he turns to particular people: the Chimney-sweeper and the Soldier.
Explain the effect of this change from everybody to particular people.
[3 marks]
Read the poem below and answer the question that follows. Spend about 5 minutes on this question.
London — William Blake
I wander thro' each charter'd street,
Near where the charter'd Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.
In every cry of every Man,
In every Infant's cry of fear,
In every voice, in every ban,
The mind-forg'd manacles I hear.
How the Chimney-sweeper's cry
Every black'ning Church appalls;
And the hapless Soldier's sigh
Runs in blood down Palace walls.
But most thro' midnight streets I hear
How the youthful Harlot's curse
Blasts the new born Infant's tear,
And blights with plagues the Marriage hearse.
---
How does Blake present the people of London in this poem?
Write one short paragraph of three sentences:
[4 marks]
The algorithm in Figure 1 is written in AQA pseudo-code.
Figure 1
FOR i ← 1 TO 6
OUTPUT i
ENDFORState how many times the line OUTPUT i is executed when the algorithm runs.
[1 mark]
The algorithm in Figure 2 is written in AQA pseudo-code.
Figure 2
total ← 0
FOR i ← 1 TO 5
total ← total + i
ENDFOR
OUTPUT totalState the value that is output when the algorithm runs.
[1 mark]
0 3 . 1 Convert the binary number 10111011 into decimal.
[1 mark]
0 3 . 2 Convert the decimal number 150 into an 8-bit binary number.
[1 mark]
Add the three binary numbers together.
00110101
01001110
00011011Give your answer as an 8-bit binary number. You may show your working.
[3 marks]
Programmers often write numbers in hexadecimal rather than in binary.
Explain why.
[2 marks]
A program asks the user to enter the temperature in degrees Celsius as a whole number.
The program then stores a message in a variable called advice:
Cold - wear a coatMildHot - take waterFinally the program outputs the value of advice once.
Write a Python 3 program for this.
You should use indentation as appropriate, meaningful variable name(s) and Python 3 syntax in your answer.
[5 marks]